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Studies of the colours of St Ives

I love the colours I found in St Ives… silver and yellow ragwort, soft sands, warm rusts, sages, aquas, cool greys, and deep browns.

These studies I created today are an initial exploration of the colours and I’m also noodling over the mediums I want to use too… I’ve used acrylic inks, coloured charcoal, water-based pastels, and oil sticks for these studies.

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STUDIO NOTES CathD STUDIO NOTES CathD

Finding My Creative Flow

If you’ve been reading my newsletters, you’ll know that I’ve been doing a lot of experimenting, learning, reflecting, and writing this year, following a soft yet persistent whisper that’s been calling me to learn the things I need to learn so I can make the art that my soul wants to make. The thing is, despite a lot of art-making and a lot of learning this year, the art I’ve made has been all over the show, I haven’t made much art that I love, and I haven’t had the foggiest idea what this “art that my soul wants to make” looks like!

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Noticing My Habits So I can Push My Comfort Zone

One of the wonderful ways that a daily art practice helps me grow is that with regular art-making it's easier to notice if you have habitual ways of doing things. Of course, when you notice a habit - just as in life - you always get to decide for yourself whether you enjoy the habit and feel it serves you, or whether you'd like to expand your comfort zone and change up that habit.

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Sketchbook Study: All the Greens of Prussia Cove

One of the wonderful ways that a daily art practice helps me grow is that with regular art-making it's easier to notice if you have habitual ways of doing things. Of course, when you notice a habit - just as in life - you always get to decide for yourself whether you enjoy the habit and feel it serves you, or whether you'd like to expand your comfort zone and change up that habit.

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Landscape-ish abstracts

This year I’ve been holding the creative tension of, on the one hand really enjoying doing a lot of experimenting and learning and trying new things, and on the other hand, longing to land on a creative approach or process or focus that feels like “home”. Like it fits the shape of my soul and I can fully rest there and go deep for a long while.

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Chatting with my paintings

I love to work in layers, and I really enjoy the richness that evolves out of a layered process. There’s a lovely sense of a story building, and it’s always interesting to see which parts of the early story endure, and which parts fade into the background as new elements are added.

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360 degree landscape sketching outdoors

I’ve been wanting to get outside for some landscape drawing lately, and we’ve been receiving much encouragement to do so from the instructors in the course I’m taking with Newlyn Art School, so I packed a few art supplies, and hopped on my bike to head down to the beautiful Haarrijnseplas with my pup, Toby.

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Gathering up the clues

As I’ve continued all of the new non-committal exploring and learning I’ve been pursuing this year, a little collection of sketches, experiments, and art-making “scales” is growing. Most of it is “incomplete” art  that isn’t ready for sale, but what I’ve been collecting up is the stuff I’ve produced that is feeling good – like, “this has something I love and want to incorporate” or “this is the direction I want to go”. I’m keeping it out on display so I can continue to soak it up, mull on it, and let it inspire me.

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